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By Christy Anyanwu
Mhenase Touch is a contemporary womenswear established in Benin City, Edo State, in 2014, by Amenawom Monica Okoh.
Mhenase Touch as a brand was established mainly as a bespoke womenswear catering to the modern-day woman, serving as a tool to improve women’s well-being as well as to inspire them.
In this interview, the designer, Amenawom Monica Okoh, outlined some aspects of the brand’s operations, her experience as an entrepreneur, target audience, inspiration behind the clothing line and her sojourn as a fashion designer.
What propelled you to become a fashion entrepreneur?
I wanted something that made me feel good and confident. Then it grew into a desire to see women feel proud of themselves. What continued as a way to improve women’s confidence became a full-blown business, and made me a fashion entrepreneur.
Could you tell us more about your collection?
Obirin is a call to culture. It is the literal meaning of ‘woman’ in Yoruba language.
The collection consists of six outfits, each of them leading to the other – individual, yet connected. It intends to honour the layered and multi-dimensional nature of womanhood.
Women can be many things at the same time and Obirin is a way of recognising and honouring this wonder that is a woman.
My collection is inspired by the many stories that shape women. It cuts across the challenges, pains, sorrows, joy, feelings and emotions that women feel.
What inspires or influences your craft as a designer?
The brand is influenced by heritage and structure. As a contemporary brand, we are also inspired by a few other brands, one of which is Kilentar. They understand shapes and silhouette, and everything about the brand inspires us.
What is one recent project that you have done that you’re excited about?
One of the most recent projects we have done is facilitating “Dress a Human” at the University of Law, London, as part of the World Mental Health Day celebration. The interactive activity was designed to encourage human connection, promote freedom of self-expression and build confidence among participants.
The students and staff of the university engaged creatively by pinning fabrics of various colours onto a mannequin representing a human figure. They also incorporated trimmings and sewing materials as a form of personal expression, turning the process into a shared, reflective experience that fostered inclusivity and emotional openness.
I contributed to the community theatre production “Passion for Gorton” in Gorton, Manchester, as the lead costumer. In that role, I designed and produced costumes for over 30 characters, ensuring each look aligned with the narrative and character identities. I also managed the dressing of various performers during the play, working closely with the cast to ensure smooth transitions and a cohesive visual presentation throughout the production.
In addition, we organised and facilitated a free fashion workshop on sustainability and, more specifically, on up-cycling circular womenswear as a way of discouraging fast fashion and to educate people within our immediate environment, especially the young ones. The brand facilitated the workshop with about 24 participants, including young individuals between the ages of six and 14.
