11 poets battle for Nigeria Prize for Literature

Lit

By Henry Akubuiro

Eleven exceptional  poetry collections written by Nigerian poets based at home and in diaspora have emerged on the longlist of The Nigeria Prize for Literature, selected from 223 received for the competition.

The announcement made by the chairman of the Advisory Board for the Prize Prof Akachi Adimora-Ezeigbo marks a significant milestone in this year’s competition and reflects the exceptional quality, creativity and diversity of contemporary poetry. It consists of seasoned poets like Tanure Ojaide, Ogaga Ifowodo, and James Eze. Also, on the list is Ayo Oyeku, who has appeared in the last lomglists of the prize – children’s literature, prose fiction, and now poetry. American based scholar-writer, Sadiq Dzukogi, who appeared on the 2022 poetry shortlist, is back on the 2026 longlist. The full longlist include:

   1. Adult Love by Tanure Ojaide

   2. Bakandimiya by Saddiq Dzukogi

   3. Black Passport by Paul Akpomuje

   4.2000 Blacks by Ajibola Tolase

  5. Ceremony of The Nameless by Theresa Lola

   6. Corpus:Animistic Verses by Ayo Oyeku

   7. Floral’s Love Colony by Tares Oburumu

   8.The Origin of Wounds by Malik Gbolahan

   9. The Years of Blood by Adebayo Agaru

   10. Unbind me Now by James Ugwu Eze 

11.Why Does God need a Gun by Ogaga           Ifowodo

Professor Adimora-Ezeigbo described the announcement as an important stage in the 2026 edition of the arguably African biggest and most prestigious literary Prize.

She noted that the collections demonstrate the remarkable capacity of poetry to illuminate human experience through thoughtful reflection, cultural memory and artistic expression.

Prof Adimora-Ezeigbo added that the works revisit history while interrogating dominant historical narratives and exposing the forces that shape collective identities and social relations. She stated that despite their varied emphases, the books share a commitment to exploring the endurance of individuals and communities in the face of violence, oppression, and social fragmentation.

Commenting on style and language, Prof. Adimora-Ezeigbo said the books display an impressive diversity of poetic techniques marked by lyrical intensity, symbolic depth, and artistic innovation.

“Many employ densely poetic, allegorical, and elegiac modes that invite multiple layers of interpretation, while others draw extensively on folklore, oral traditions, and contemporary realities to create a compelling fusion of past and present. Their language is generally fluid, evocative, and aesthetically refined, relying on vivid imagery, emotional resonance, and intellectual sophistication to communicate complex ideas. These works demonstrate how poetic language can illuminate social realities; challenge established perspectives and give voice to both individual and collective experiences.

“The next stage will demand a closer reading of each work, with attention to language, form, originality and lasting literary value,” she stated.

She also commended the judges for their work and reaffirmed the Advisory Board’s commitment to a credible process, literary excellence and the promotion of a strong reading culture.

According to Sophia Horsfall, General Manager, External Relations & Sustainable Development, NLNG, the announcement of the 11-title longlist formally opens the next phase of the shortlist of three in August and possible announcement of the winner in October. The Nigeria Prize for Literature, sponsored by NLNG, carries a cash award of $100,000 for the author of the winning book. In its 22nd year, the prize rotates annually across four genres – prose fiction, poetry, drama and children’s literature – with the 2026 edition devoted to poetry.

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