Ajaga: A bold cinematic reality check on religion

By Damiete Braide

In the realm of faith-based cinema, where stories of redemption often dominate, Ajaga (The Yoke) emerges as a powerful anomaly.

Directed by Remi Ibinola and produced by Adenike Odubawo, this 90-minute film dares to confront the dark underbelly of domestic violence and sexual abuse hidden behind the façades of religious authority. Through a compelling narrative, Ajaga pushes beyond conventional storytelling, demanding a fresh perspective on justice and accountability.

The film opens with an unsettlingly familiar scenario: the concealed suffering of women married to influential religious leaders. These women, integral yet invisible, support their husbands’ revered public images while enduring hidden pain and abuse. Odubawo, who has long been troubled by the gap between the public personas of these men of God and the private lives of their wives, was driven to bring these untold stories to light. Her inspiration came from a relentless question: What happens behind closed doors in the homes of these spiritual leaders? What is the reality for the wives who, though often seen, remain voiceless?

Determined to deviate from the usual path of redemption films, Odubawo envisioned Ajaga as a narrative about responsibility and justice rather than mere forgiveness. In many faith-based stories, the spotlight shifts swiftly from the perpetrators to a narrative of repentance and restitution, often neglecting the victims’ need for genuine justice. Odubawo’s vision was to create a story where the consequences of wrongdoing are addressed head-on, and the victims are given the justice they deserve.

The movie title, Ajaga, translated as “The Yoke”—symbolises the heavy burdens borne by these women. It reflects not only their personal suffering but also the immense pressure to uphold their husbands’ and the church’s image. The film dives deep into this oppressive yoke, revealing the raw and unfiltered reality of these women’s lives. The narrative is intense and unflinching, deliberately avoiding easy answers or tidy endings. It challenges audiences to grapple with uncomfortable truths about power, control, and the cost of silence.

Odubawo’s commitment to authenticity extended to the casting process. She initially sought to engage notable industry figures but was guided by Ibinola to select actors who could bring depth and sincerity to their roles, rather than glamorising the story. This approach ensured that the film delivered a genuine portrayal of the characters’ struggles. The cast, including Femi Jacobs, Tope Olowoniyan, Carol King, Jaiye Kuti, Tomiwa Sage, and Francis Onwochei, delivered performances that resonate deeply, immersing viewers in the characters’ emotional landscapes.

Odubawo’s dual role as producer and lead actor added another layer of complexity to the film’s production. Balancing these demanding roles was a significant challenge, but Odubawo found it to be a profoundly rewarding experience. Her performance as the lead character is both compelling and deeply personal adding authenticity to the narrative.

The production itself was fraught with obstacles, including a dramatic fire outbreak on set during a crucial church scene. Despite the chaos and fear, the team managed to continue filming, underscoring their dedication to bringing this critical story to the screen.

Remi Ibinola, who directed Ajaga, described the filmmaking process as a journey filled with external and emotional challenges. The film’s narrative mirrors real-life scenarios that many people are aware of but reluctant to discuss openly. Ibinola’s direction carefully balanced the need to expose harsh realities while respecting the institution of the church. The character of Pastor Bolu in the film embodies both the influence and the flaws of religious institutions, representing a nuanced portrayal that avoids vilification.

The film’s themes have garnered attention from advocates and officials, such as representatives from the Lagos State Domestic and Sexual Violence Agency. Joke Ladenegan Ogini, a representative from the agency, praised the filmmakers for their courage in addressing such a sensitive issue. She highlighted the importance of media and films like Ajaga in raising awareness and advocating for justice. Ogini emphasized that domestic and sexual violence are pervasive issues affecting all genders and demographics, urging viewers to report abuse and support the agency’s efforts to combat this societal problem.

Oluwafeyikemi Niyi-Olayinka, another member of the Ajaga team, echoed this sentiment, stressing that there should be no immunity for perpetrators of abuse, regardless of their status. The film’s message is clear: those who exploit their positions of power must face accountability.

The film also explores themes of friendship and loyalty amidst moral dilemmas. Tope Olowoniyan’s portrayal of the lead character’s best friend highlights the importance of confronting difficult truths and supporting friends in times of crisis. Her role underscores the necessity of honesty and objectivity in challenging situations.

To be released on September 6, 2024, the team behind Ajaga hopes to spark important conversations and inspire action. The film’s exploration of domestic and sexual violence within religious contexts aims to shed light on a pervasive issue and encourage viewers to speak out and seek justice. Ajaga is not merely a film but a movement — an attempt to break the silence that often surrounds abuse and to give a voice to those who have long been unheard. By confronting these difficult topics, Ajaga seeks to foster a society where power cannot shield one from accountability, and every voice is heard.