By Daniel John
In a remarkable celebration of cultural exchange and musical excellence, Norman Macleod aka Piper Norman, a Scottish musician, was conferred with the traditional hereditary chieftaincy title of “Odion Ukpe” of Emu Kingdom in Edo State, Nigeria. Accompanied by his wife, Josephine Macleod, this honour was bestowed upon him on April 14, 2012, at the Palace of The Onogie of Emu Kingdom, recognizing his outstanding contributions to traditional folk music in Nigeria.
Born in Glasgow, Scotland, on June 27, 1953, Macleod’s musical journey took an unexpected turn when he arrived in Nigeria. His innovative fusion of Scottish bagpipes with African indigenous music not only captivated local audiences but also earned him a cherished place in the hearts of the Nigerian people. In recognition of his exceptional musical contributions to Nigeria’s folk traditional music, Macleod was awarded two traditional titles and became one of the first Europeans to receive an Edo State government certificate honoring his chieftaincy title. Specifically, his “Odion Ukpe of Emu Kingdom” Esanland title was officially recognized in 2013 as a registered chief in Edo State.
The celebration was marked by the presence of the Regent of Amu Kingdom, HRH Orukpe Ojieleke, along with the community of Emu Kingdom, who came together to honor Norman’s achievements. They acknowledged his vital role in promoting cultural understanding and exchange between Scotland and Nigeria. As the “Odion Ukpe” of Emu Kingdom, Macleod has become an ambassador of sorts, bridging the cultural divide between the two nations.
This inspiring narrative underscores the power of music to transcend borders and cultures, fostering greater understanding and appreciation between peoples. Norman Macleod’s legacy stands as a testament to the enduring spirit of cultural exchange and the boundless possibilities that arise when we come together to celebrate our shared humanity. Through his musical endeavors, he continues to inspire a harmonious dialogue between diverse cultures, illustrating that the language of music knows no boundaries.