The Ikorodu Bois, a group of Nigerian content creators renowned for remaking popular Hollywood movies and music videos, has literally gone unstoppable!
In recent months, the youths have embarked on a creative streak, reimagining some of the most powerful and talked-about stories in global pop culture. Their take on Ryan Coogler’s Sinners has already surpassed four million views across Instagram, X, TikTok and Facebook, with its DIY recreation of Michael B. Jordan’s intense scenes, earning admiration from fans worldwide.
Not long ago, The Ikorodu Bois dropped a remake of Seyi Vibez’s Shaolin music video, followed by a playful yet precise take on Captain America: Brave New World. Now, the inventive trio have turned their attention to FCMB’s Power of the Group TVC and once again they’ve delivered a grassroots masterpiece that proves creativity doesn’t need a blockbuster budget to make a powerful impact. What happens when one of Nigeria’s most inventive content creators puts its spin on the cinematic advert of a leading financial conglomerate? You get a low-budget masterpiece that says just as much, if not more than the original.
Originally crafted to showcase FCMB Group’s belief in teamwork and shared success, the TVC used music, dance and sport to represent how the group’s business arms come together to deliver impact. From sweeping drone shots of Zuma Rock in Abuja, Mambilla in Taraba State to choreographed transitions between dancers and athletes, the original advert was big, bold and beautiful. And the Ikorodu Bois’ version? It strips all that gloss back and still delivers the message.
With their trademark use of household props, improvised costumes and pure ingenuity, the content creators manage to echo every scene with both humour and heart. Somehow, the message about collective power feels even more humane when told through recycled cardboard and passion.
In the original, a drummer’s hands rise and fall against traditional talking drums, scored to perfection. In the Ikorodu Bois’ version, that same rhythm is carried by overturned baskets. Where a microphone captures the song in the original, a powder brush takes its place in the remake. For the violin scene, they used sticks and shovels, mimicking the exact motions from the original. Their stand-in for the theodolite was rebuilt using cardboard and plastic. Even, the FCMB Group and subsidiaries’ logos were painted on paper to mimic the branded visuals in the original TVC.
This approach is consistent with the way Ikorodu Bois has built its name, by taking big stories and retelling them in ways that are close to home. For instance, in its remake of the Sinners trailer, the group reconstructed the intensity of a supernatural thriller, using toy guns, sticks and cardboard guitar, matching the original’s tone and rhythm with uncanny accuracy. This remake garnered significant attention, amassing over four million views on social media.
The remake of Captain America trailer followed the same ethos: cardboard shields, paper laptops, and plastic-wrapped wings transformed the Lagos backyard into a Marvel film set. The youth’s growing reputation for these spot-on recreations earned them international recognition, most notably after their Extraction trailer remake, which led to a shoutout from the Russo Brothers, and an invitation to the premiere of Extraction 2.
Through this re-imagining, the Ikorodu Bois has created a new kind of visual language, one that’s deeply rooted in community, playfulness, and resourcefulness. It’s FCMB remake sits firmly in that tradition, showing once again that powerful storytelling can shine at any scale. However, what sets the remake apart is its cultural intelligence. It didn’t just mirror FCMB’s shots; it translated the idea. Every scene is reimagined with an understanding of what resonates with younger, digitally native Nigerians.
The Bois’ ability to translate the themes of the original into something fresh and accessible proves the power of perspective. Where the original TVC used professional dancers, athletes and musicians in iconic locations, the group’s version used street energy and community spirit to bring the story home. The remake captures the pulse of Nigerian youth, who see themselves reflected in this new take.
The Ikorodu Bois’ version reminds us that great storytelling, beyond big budgets or perfect visuals, is about how deeply it connects to everyday people, and to the essence of the message. Its interpretation amplifies FCMB’s message of collaboration as a shared narrative shaped by Nigerians themselves. The remake has not only extended the life of the campaign, but also opened doors for conversations about how brands and communities can engage authentically. It shows that powerful ideas can thrive when they invite participation, reflect local realities, and celebrate diverse expressions of unity.